moccasins

moccasins

moccasins

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Introduction

A pair of centre-seam moccasins decorated with quillwork, beadwork, and unusual ribbonwork. Anishnaabe or Hodenosaunee, likely made between 1800-1810. Donated to the Ashmolean Museum by Captain King R.N. in 1831, and transferred to the Pitt Rivers Museum in 1886.

Reasons for connecting this relative with particular nation(s)

Eastern Great Lakes generally. Moira McCaffrey, curator at McCord Museum and one of the cutarots for the North American exhibition 'Across Borders: Beadwork in Iroquois Life' identified these as definitely Iroquois, probably either Seneca or Oneida (Pitt Rivers Museum Object Catalogue).

CW noted that the wide ribbon on the cuffs suggests the moccasins may be Potawatomi.

RP suggested they may have come from the Windsor-Detroit area during a period of close inter-relationship between the Anishinaabe, Odawa and Potawatomi communities of this region.

Date Made or Date Range: 1800s to 1810s
Summary of Source(s) for this Relative

Pitt Rivers Object catalogue and observations made by the GRASAC research team.

Materials

hide, smoked deer; sinew thread; porcupine quills, red and medium to light blue; metallic silk ribbon, green and coral-coloured; ribbon, blue; beads, white, sizes 13 seed and 6 pony

Techniques or Format

Each moccasin is made from a single piece of hide, with straight heel seams and slight puckering at the toes. Their twin ankle-flaps are cut in one with foot. There is a single band of quillwork along the toe seam, bordered with white beads. The cuffs are edged with a border of white pony beads applied in a running stitch. The ribbon work on the on cuffs is unusual. The decorative elements are of high quality (RP, CW).

Motifs and Patterns

Double and single curve motifs. The decorative elements on cuffs are asymmetrical - only one side has beading on the band of coral-coloured ribbon. Small triangles are beaded along both sides of the quillwork-covered centre seam. The beaded double curve motif on vamp may represent an underwater being or serpent (RP, CW).

Additional Context

Underwater being serpent imagery represents a powerful dynamic between upper and lower worlds. CW suggested the double parallel lines of beadwork resemble an otter tail motif.

Other Notes

RP said the moccasins are exquisite.

Reasons for connecting this relative with particular times, materials, styles and uses

Almost identical to a pair of moccasins in the Jasper Grant collection, collected between 1800-1809 (RP).

Catalogue, Accession or Reference Number: 1886.1.810.1-2
Date of Acquisition by the Institution: 1886
Date Relative was First Removed or Collected from its Community Context: 1800-1810
Collection Narratives and Histories

One of several items transferred from the Ashmolean museum to the Pitt Rivers' museum in 1886. Part of a collection donated to the Ashmolean Museum by Captain King R.N. in 1831. Described in the Ashmolean museum catalogue as "a pair of Mexican slippers of soft light brown leather."

Publication History

1836 Philip Bury Duncan, "A Catalogue of the Ashmolean Museum," p.183 No 120.

GKS Reference Number: 25380
Record Creation Context

This record was created as part of a Great Lakes Research Alliance for the Study of Aboriginal Arts and Cultures (GRASAC) research trip to the Pitt Rivers Museum and British Museum, December 8-22 2007, funded by a grant from the International Opportunities fund of the Social Sciences and Humanities Research Council (SSHRC).

Record Creation Notes/Observations

researchers present: Heidi Bohaker (HB), Al Corbiere (AC), Stacey Loyer (SL), Janis Monture (JM), Laura Peers (LP), Ruth Phillips (RP), Anne De Stecher (AS), Cory Willmott (CW).

Approximate Place of Origin

46.8139, -71.208