Maskimot; Bag
Maskimot; Bag
Maskimot; Bag
This relative, a Nehiyawak or Metis style maskimot ᒪᐢᑭᒧᐟ (bag), includes two horizontal bands of loomed quillwork and ribbon work appliqué, as well as deerhide fringe. Tapering at the bottom, the base material of this bag is composed of a dark blue stroud, or dense felted wool, and blue silk binding. The maker of this work is unrecorded, and its origins are unclear, but it was added to the Jasper Grant Collection, which dates to 1805-1809.
This relative currently resides at the National Museum of Ireland.
This relative is of Nēhiyawēwin/Plains Cree or Metis origin.
The horizontal woven quillwork suggests Nēhiyawēwin/Plains Cree or Metis origin.
GRASAC researcher notes from the July 20, 2010 visit.
Read More About This Relative
Dark blue stroud, blue silk ribbon binding, peach (possibly red faded) blue and white silk ribbon applique; blue, white, red yellow quills, wool yarn; white and powder blue pony beads on edges of loomed quillwork, deerhide fringe attached to bottom of loomed quillwork, white cotton thread used to sew silk ribbonwork
Bag tapers toward the bottom.
Geometric designs.
The function of this relative was probably practical, but it may have also been cultural, symbolic, and communicative.
This relative was collected as part of the Jasper Grant Collection, which was established in 1805-1809.
Provenance
Jasper Grant (1762-1812), Anglo-Irish officer who spent 9 years in Canada between 1800-1809. Served as commandant of Fort George in the Niagara Peninsula and of Fort Malden at Amherstburg opposite Detroit. It is likely that his wife, Isabella Grant, played a significant role in the collection of items given her close relationship to Madeline Askin Richardson, the daughter of a prominent fur trader and merchant with extensive ties to the surrounding Indigenous communities.
In 1984-1985 the Jasper Grant Collection was featured in a special travelling exhibition for the Ontario bicentennial, which was organized by the McMichael Canadian Collection and entitled "Patterns of Power."
Phillips, Ruth. Patterns of Power. Kleinburg, On.: McMichael Canadian Collection, 1984.
Philips, Ruth B. (1986-87). “Jasper Grant and Edward Walsh: the Gentleman-Soldier as Early Collector of Great Lakes Indian Art.” Journal of Canadian Studies 21(4): 56-71.
About This GRASAC Record
Maker, Name unrecorded. Bag. GRASAC ID 1365. National Museum of Ireland Collection 1902.320.
This record was augmented by Dana Murray on June 20, 2024. It draws on information recorded during the GRASAC trip to the National Museum of Ireland on July 20, 2010. Participants included Alan Corbiere, Bnehns Corbiere, Crystal Migwans, Nikolaus Stolle, and Ruth Phillips, and it was funded by a SSHRC Aboriginal Research Grant.