hunting pouch
hunting pouch
hunting pouch
This hunting pouch, or shot pouch, is crafted from black-dyed hide and decorated with moosehair embroidery, porcupine quill embroidery, tinkle cones with red-dyed hair. The strap is decorated with floral motifs. Originally attributed to the "Great Lakes," it is very likely this was created by a Wendat woman. It also appears the maker of this bag skillfully modified designs for a shot pouch to create a bag that could also capture the attention of, and be worn by, European women.
This relative currently resides at the Ethnologisches Museum Berlin, Germany.
Wendat
Annette de Stecher identified this pouch as Wendat based on stylistic attributes.
Museum documentation, GRASAC researcher notes and Annette de Stecher's 2023 book "Wendat Women's Arts."
Read More About This Relative
black-dyed hide; moosehair; porcupine quills; metal cones; red-dyed hair (deer or moose?); silk ribbon
naturalistic floral motifs
Annette de Stecher describes this pouch in "Wendat Women's Arts" as "stunning" and as a "modified shot pouch." She notes, "The maker retained elements of the men's hunting pouch, both in the border made of metal cones and animal hair and in the pouch's construction, which is done in a more rectangular form but with motifs worked in the naturalistic floral style that was so appealing to the European market. In its interpretation of naturalism according to a Wendat aesthetic, the pouch illustrates the appeal of moosehair embroidery - considered exotic yet familiar - to an elegant European woman." (pg 100)
Styled after a hunting or shot pouch, but made for a female buyer, according to Annette de Stecher.
Annette de Stecher dates this relative to circa 1840 based on dates the collector travelled in North America.
Provenance
Research into the pouch's history by Annette de Stecher indicates this pouch is from the Adalbert von Barnim Collection. It was possible acquired by Baron von Barnim's mother (Theresa Essler) or aunt (Fanny Essler) who were both acclaimed ballerinas who toured the United States between 1840-1842. Fanny Essler was known to be in Niagara Falls in 1840. (Discussed on page 100 of "Wendat Women's Arts".)
Museum documentation and "Wendat Women's Arts"
Annette de Stecher. 2023. "Wendat Women's Arts." Montreal, Kingston: McGill-Queen's Unviersity Press. Photographs on page 78-79, and pg 101. Discussed in the text on page 100.
Annette de Stecher. 2023. "Wendat Women's Arts." Montreal, Kingston: McGill-Queen's Unviersity Press.
About This GRASAC Record
Wendat Maker, Name Unknown. Pouch. GRASAC ID 841. Ethnologisches Museum Berlin, Catalogue Number IX-D-469.
Created by Nikolaus Stolle during a research visit to the museum commissioned by Ruth Phillips and supported by her research funds. This record was augmented by Cara Krmpotich on March 15, 2024 with the information from the book "Wendat Women's Arts."
Edited by CJ Pentland on June 26, 2020
attributed