Glengarry Bonnet
Glengarry Bonnet
Glengarry Bonnet
A beaded hat in the style of a Glengarry bonnet, datable to the period of 1860-1900. Made by a Haudenosaunee/Hodenosaunee beadwork artist. Acquired by Cambridge University Museum of Archaeology and Anthropology in 1927 from William Ridgeway.
Based on the style of the beadwork.
Museum documentation and the GRASAC research team.
Read More About This Relative
dark brown velveteen; coarsely woven beige cotton lining; red cotton tape; black velveteen; metal sequins; glass beads, clear and translucent mustard, green and red, opaque white, rose, blue, and green; paper.
Made of dark brown velvet and decorated with beadwork applique. The red cotton tape binding is now mostly missing and faded. The inner lining of black velveteen is visible at the edges. In a few places, paper patterns are visible underneath the beadwork.
Floral.
Made for sale in the souvenir market, possibly used as a smoking cap or a travelling cap
This style of hat, made popular by Queen Victoria in the 1850s, was being made by Haudenosaunee/Hodenosaunee beadworkers from the 1860s to about 1900.
Provenance
Acquired by the Cambridge University Museum of Archaeology and Anthropology in 1927 from William Ridgeway.
About This GRASAC Record
Unknown Hodenosaunee/Haudenosaunee artist, Glengarry Bonnet. Currently in the Cambridge University Museum of Archaeology and Anthropology, 1927.259 C. Item photographed and described as part of a GRASAC research trip May 2009; GRASAC item id 601.
This record was created as part of a GRASAC research trip to Cambridge University's Museum of Archaeology and Anthropology, May 4-9 2009.
Participants: Ruth Phillips, Trudy Nicks, Laura Peers, Stacey Loyer, Rachel Hand, assisted by Katrina Igglesden.
43.3, -78.1
This is the Hodenosaunee homeland region.