club, ball-headed
club, ball-headed
club, ball-headed
Ball-headed war club carved from wood, with iron spike set into the ball. Although this club features motifs that are suggestive of Anishinaabe, it is believed to be a European replica based on the construction and use of a compass.
This ball-headed club currently resides in the Musée du quai Branly, Jacques Chirac, Paris, France.
Ruth Philips: based on style, this relative may be Anishanaabe, including the presence of otters, as otter iconography is classic Anishinaabe.
Musée du quai Branly
Read More About This Relative
Wood and metal: CW: maple wood, possible. Alan Corbiere: iron spike.
One piece of carved wood, with a metal spike attached and embedded in the face. Spike attached attached with wooden peg and paper or natural fibre packing. Of weapon weight (i.e.) hardwood, meant to be used.
The ball is carved as a face with slight concavity for the two eyes (round indentations) which may have held glass beads. Mouth or whiskers extend out the sides. The heads of the otters are carved in the round and may also suggest ears for the face on the ball, suggesting a visual pun if that is the case. On one side, there is anthropomorphic form carved as a square with a round head, and a row of 9 joined x's and 4 more on the handle. On verso, are initials F and N or H. with periods: 2 in ink. There is also a row of 9 small x's adjacent to the tail of the otter, and 9 again on the shaft, and 4 again on the handle.
Ruth Phillips notes presence of otters which is distinctly Anishinaabe.
Note: This record originally indicated that the club was likely Anishinaabe in origin. With thanks to Nikolaus Stolle for the correction via the GRASAC webform, this has since been amended as the ball-headed club is believed to be a European replica based on the construction (wood), the use of a compass, etc.
CW: spike might be diagnostic because of the way the metal was forged.
RW: goes for earlier date because of iconography.
Provenance
Déposant: Musée de l'Armée, inventaire 2013.0.162; Précédente collection: Musée de l'Homme (Amérique), inventaire 17.3.10.
Musée du quai Branly
"Premières Nations, Collections Royales," at the Musée du quai Branly, February 13 - May 13, 2007; "Ethnographie du Canada, des U.S.A., de la Guyane et du Brésil" (noted in MdqB file -- exhibition?); worn by mannequin n°40 in the Galerie Ethnographique du Musée de l'Artillerie (1877-1917).
Christian Feest, Premières Nations, Collections Royales: Les Indiens des forêts et des prairies d'Amérique du Nord (Paris: musée du quai Branly, 2007), 63.
MdqB file
MOUILLARD Cécile, "La Galerie Ethnographique du Musée d’Artillerie (1877-1917)," Master's Thesis in Art History (Specialty Collections History-Heritage) under the direction of Bartholomew JOBERT, University of Paris IV - Sorbonne, 2005 - 2007.
About This GRASAC Record
Unknown artist, club, ball-headed. Musée du quai Branly, 71.1917.3.10 D. GRASAC item id 26253.
Item photographed and described as part of a GRASAC research trip.
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