cap or bonnet, Glengarry
cap or bonnet, Glengarry
cap or bonnet, Glengarry
This Glengarry cap or bonnet was made the Huron-Wendat, part of their nineteenth century souvenir art production. It a virtuoso example of the moosehair embroidery tradition.
Wendat: British Museum record and stylistic attribution.
BM record and GRASAC team.
Read More About This Relative
The body of the cap is made of dark brown woolen cloth (could be faded black); the lining is silk tartan (under the silk tartan there is a polished or cotton lining. Is quite stiff -- is there a birch bark lining (BM records say yes, but we did not see it). The hat is elaborated with moose-hair embroidery and red silk ribbon.
"Virtuoso meter high on this one" Unusual stitch sewing the parts of the cap together, it is sewn in a black cotton thread.
Floral
This kind of high quality work was produced in the late 19th c. Bonnets came into fashion with Queen Victoria in the mid-19th C. 1850 - 1870, likely 1860s. It is a dark chocolate colour; brown becomes more popular in this period.
Provenance
About This GRASAC Record
Unknown artist, cap or bonnet, Glengarry. Currently in the British Museum, AM1984,15.1. Item photographed and described as part of a GRASAC research trip December 2007; GRASAC item id 24699.
This record was created as part of a Great Lakes Research Alliance for the Study of Aboriginal Arts and Cultures (GRASAC) research trip to the Pitt Rivers Museum and British Museum, Dec.8-22, 2007, funded by a grant from the International Opportunity fund of the Social Science and Humanities Research Council (SSHRC).
Researchers present: Heidi Bohaker (HB), John Borrows (JB), Lindsay Borrows (LB), Darlene Johnston (DJ), Stacey Loyer (SL), Janis Monture (JM), Bruce Morito (BM), Ruth Phillips (RP), Cory Willmott (CW).