basket
basket
basket
Birch bark and sweetgrass basket decorated with floral motifs done in porcupine quillwork. Anishinaabeg, 19th century, probably from Manitoulin. Collected by Father Edward Purbrick in 1879 and donated to Stonyhurst College. One of several items purchased by the British Museum from Stonyhurst College in 2003.
Manufacture techniques and style.
Created from information in the British Museum object catalogue and observations made by the GRASAC research team.
Read More About This Relative
Made of birch bark, sweetgrass, black thread, decorated with porcupine quills, natural and dyed green, yellow and purple. Aniline dyes were used to colour the porcupine quills.
The basket has two lids hinged at the centre, and a handle. The lid is decorated with floral motifs done in porcupine quillwork.
Floral and berry motifs.
This item is an example of how talented Anishinaabeg artists pushed the limits of their medium, discussed further by Ruth Phillips in Trading Identities: The Souvenir in Native North American Art from the Northeast, 1700-1900 (1998, p.182).
British Museum accession record. Father Edward Purbrick acquired this item, along with other similarly-quilled birch bark pieces, while on a tour of inspection of Canadian Jesuit missions in the Central and Eastern Great Lakes region.
Provenance
Collected by Father Edward Purbrick in 1879 and subsequently donated to Stonyhurst College, a Jesuit school in Lancashire. The Stonyhurst Collection was purchased by the British Museum in 2003.
A description of Father Edward Purbrick's collection and a discussion on the decorative styles of many of the birch bark items is found in Ruth Phillips, Trading Identities: The Souvenir in Native North American Art from the Northeast, 1700-1900 (Montreal: McGill-Queen's University Press, 1998), 182-3.
About This GRASAC Record
Unknown Anishinaabeg artist, basket. Currently in the British Museum, Am2003,19.22. Item photographed and described as part of a GRASAC research trip December 2007; GRASAC item id 27139.
This record was created as part of a Great Lakes Research Alliance for the Study of Aboriginal Arts and Cultures (GRASAC) research trip to the Pitt Rivers Museum and British Museum, December 8-22 2007, funded by a grant from the International Opportunities fund of the Social Sciences and Humanities Research Council (SSHRC).
Researchers present: Heidi Bohaker (HB), John Borrows (JB), Lindsay Borrows (LB), Darlene Johnston (DJ), Jonathan King (JK), Stacey Loyer (SL), Janis Monture (JM), Bruce Morito (BM), Ruth Phillips (RP), Cory Willmott (CW).