Anishinaabe Hood
Anishinaabe Hood
Anishinaabe Hood
Anishinaabe hood, floral beadwork, flowers, leaves, woollen dark cloth, glass beads, light blue, gold, pink, medium green, light green, yellow, medium blue, red, clear glass, brass.
The museum catalogue card attributes this hood as Anishinaabe, to which its form and style also conform.
Read More About This Relative
Black woollen cloth, lining of black cotton, beige thread, beads of light blue, gold, pink, medium green, light green, yellow, medium blue, red, clear glass, brass.
Two-piece black woollen cloth sewn together, bordered by a stitched-in lining of black cotton. Inside covered by a plain unbleached cotton fabric. Beads couched with beige thread.
Flowers, leaves, stem, branches.
Femininity (based on R. Phillips' analysis in "Trading Identities"); connection between the cosmic worlds of the sky and underwater (based on R. Phillips' analysis in "Zigzag and Spiral")
This hood would have been worn during hunting expeditions and feasts (see Brasser 1974 and 1982). With the introduction of Christianity in the region, the hood could have been worn to church services (see Oberholtzer 1991).
Floral beadwork was most prominent in Anishinaabe and related groups during the later half of the nineteenth century. Beaded hoods, like other ornamented clothing, were believed to please the spirit of the caribou or other hunted animal.
Provenance
After acquiring it in May 1977 from Caskey, the National Museum of Man (now the Canadian Museum of Civilization) purchased it on August 30th of the same year.
About This GRASAC Record
43.6511, -79.347
The form and style of the hood are characteristic of the Anishinaabe, from the Great Lakes region.