pin cushion
pin cushion
pin cushion
A pin cushion heavily beaded using the raised beading technique with clear, red, yellow, blue, green and white glass beads on a pink background with four loops of beaded fringe.
Stylistic similarities to other well documented Mohawk tri-lobe pin cushions identified in Dolores Elliott's 2009 chapter Iroquois Beadwork: A Haudenosaunee Tradition and Art
Information retrieved from NCCT catalogue and MMMC Handling Sessions
Read More About This Relative
Cotton canvas, cotton broadcloth, heavy paper, glass beads, metal sequins, fabric backing material, cotton thread
Raised beading technique
A three-domed, heart shaped cushion referred to as a trilobe pin cushion. It is heavily beaded in the Mohawk raised beading technique with mostly clear large, glass beads. On the top of the three lobes are leaf motifs beaded with clear beads as well as one red, green, blue, yellow leaf. There are two central animal figures on a hot pink background, a squirrel beaded with clear, yellow and white beads, a beaver beaded with clear, red, and white beads. There is also a large, long leaf shape beaded with clear beads and several beaded linear designs ending with sequins. There is thick paper cut-outs underneath the beadwork. Clear glass beads are looped around the edge rim of the pin cushion. There are four loops of fringe made from clear and white glass beads and larger black trade ? beads. One extra set of fringe loops are missing on the left side. The back of the pin cushion is lined with cotton canvas fabric.
This pin cushion used to be stuffed with a newspaper printed in 1916
Provenance
This pin cushion was found in the NCCT collection with no indication of its collection history or provenance. It is possible it was part of the Anglican Church Women's donation to the NCCT.
About This GRASAC Record
Unknown Mohawk artist, pin cushion. Currently at the Native Canadian Centre of Toronto, 2002.1.6. NCCT Archive; GRASAC item id 25017.
43.3, -78.1
Mohawk (Haudenosaunee) beading style.