sash
sash
sash
Finger woven sash decorated with interwoven beadwork. Anishinaabeg or Haudenosaunee, made between 1750 and 1850. Collected by English ethnologist Henry Christy and donated to the British Museum between 1860 and 1869.
Anishinaabeg or Haudenosaunee: Stylistic characteristics.
Created with information from the British Museum accession record and observations made by the GRASAC research team.
Read More About This Relative
Made of brownish black woolen yarn, probably bison hair. Decorated with small white pony beads interwoven into the sash. Both ends are finished with a fringe of porcupine quills wrapped around the loose warps, terminating in metal cones containing red dyed deer hair.
Fingerwoven, with interwoven beadwork. The fringe is made up of twelve strands decorated with wrapped quillwork.
Running along the belt is a chain of diamonds with a double outlining, or two pairs of zig zags forming diamonds.
Based upon known periods of British presence in the Great Lakes region and stylistic characteristics, it was likely made between 1750 and 1850.
Provenance
Collected by English ethnologist Henry Christy. Along with several other items Christy collected, it was donated to the British Museum between 1860 and 1869.
About This GRASAC Record
Unknown Anishinaabeg/Haudenosaunee artist, sash. Currently in the British Museum, Am.2622. Item photographed and described as part of a GRASAC research trip December 2007; GRASAC item id 24522.
This record was created as part of a Great Lakes Research Alliance for the Study of Aboriginal Arts and Cultures (GRASAC) research trip to the Pitt Rivers Museum and British Museum, December 8-22 2007, funded by a grant from the International Opportunities fund of the Social Sciences and Humanities Research Council (SSHRC).
Researchers present: Heidi Bohaker (HB), John Borrows (JB), Lindsay Borrows (LB), Alan Corbiere (AC), Henrietta Lidchi (HL), Stacey Loyer (SL), Janis Monture (JM), Bruce Morito (BM), Ruth Phillips (RP), Anne De Stecher (AS), Cory Willmott (CW).